Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.

Collection of programs and clippings related to the Baltimore Symphony Orchestra, Feier des Deutschen Tages, the Oratorio Society of Baltimore from 1890-1965, and other recitals in Baltimore.

The Baltimore Chapter of the American Guild of Organists (AGO) is a regional professional organization for organists and choral conductors. It was named the Chesapeake Chapter from its founding in 1924 until the late 1980s or early 1990s. The chapter records contain administrative documents, correspondence, yearbooks, newsletters, and related materials produced or collected by the chapter.

Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.

The Austin Conradi papers contain concert programs, school essays, newspaper clippings, correspondence, scores, and a photograph relating to the life and career of pianist Austin Conradi.

Basil Toutorsky (1896-1989), a Russian pianist and composer, taught music in Washington, D.C., for over 50 years. Born into nobility in Russia, Toutorsky fought for the White Russian forces in World War I and fled to the United States in the 1920s. He established the Toutorsky Academy of Music in Washington, where he gave private lessons and composed music from 1937 until his death in 1989. His collection includes personal papers and photographs relating to his life and career.

Benjamin Grobani was a music teacher, composer, and cantor in the Baltimore Jewish community. The Grobani papers include a large collection of Jewish sacred music scores, personal papers, and concert programs.

Christopher Lobingier (1944-2014) was a composer based in Baltimore who wrote the original score to the 1977 John Waters film Desperate Living and participated in the Baltimore Composers Forum. This collection contains scores of original compositions by Chris Lobingier, including his score to Desperate Living, as well as materials related to the Baltimore Composers Forum, recordings, and other ephemera.

The Claudia B. Didier scrapbooks contain clippings dealing with Baltimore-area concerts and musicians.

Clinton Arrowood was a flautist and illustrator best known for his unique drawings of animals as musicians. The collection contains Arrowood's illustrations for musical events at the Peabody Institute and elsewhere, as well as drawings for children's books and other media. It includes original drawings, reproductions, clippings, and other documents related to Arrowood's career.

Community Concerts at Second, formerly known as the Second Presbyterian Concert Series, is a nonprofit organization established in 1987 in Baltimore that invites classical musicians to perform free concerts. The collection contains administrative records, concert programs, photographs, clippings, and recordings related to the organization and its concerts.

Box 1 contains published scores and instructional material written by Agay, primarily for piano. Box 2 contains promotional materials and programs from Agay's career, and articles written by Agay.

Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.

Donald S. Sutherland is an organist and former coordinator of the Organ Department faculty at the Peabody Conservatory. The Donald Sutherland papers, approximately 1929-2015, contain documents and musical scores related to Sutherland's career as an organist and organ instructor.

Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.

Elsa Baklor was a coloratura soprano and music educator who taught at the Peabody Conservatory and privately in the mid-twentieth century. Her collection of five scrapbooks contain clippings, photographs, and concert programs related to her career as a performer and teacher.

Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.

The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.

Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

The George R. Woodhead papers contain personal papers and concert programs acquired over his career as a choral conductor and professor of music at Goucher College and other musical institutions in the Baltimore area. The documents include correspondence, newspaper clippings, photographs, teaching material, and financial documents. The majority of the concert programs come from performances by local churches, Johns Hopkins University, Goucher College, and the Bach Society of Baltimore.

Baltimore's Germania Männerchor (men's choir), active from 1856 to 1929, was composed primarily of men of German origin. The choir held numerous concerts in the 1890s and early twentieth century, but it reduced its public activities after 1917 due to anti-German public sentiment in response to World War I. The collection includes Germania Männerchor concert programs from 1898 to 1917.