Negatives of the Johns Hopkins University campus and lacrosse team, 1919. Index to negatives is located at front of collection.

This collection consists of letters and papers of Charles William Emil Miller, professor of Greek at The Johns Hopkins University.

This folder contains one 8x10 photograph of the class of 1982, taken at their 25th reunion.

The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.

Johns Hopkins Homewood Photography is a full-service, on-campus resource for professional photography and photographic services, which provides editorial and news photography, portraits, and research photography for Johns Hopkins University clients on the Homewood campus and beyond. The Homewood Photography records contain 35mm and 120mm photographic negatives with the bulk dating from 1990 to 2004, and born-digital photographs dating from 2004 to 2010.

Johns Hopkins (1795-1873) was a highly successful Baltimore merchant and philanthropist. He left much of his wealth to found a university and hospital in Baltimore. This collection contains manuscripts, photographs and printed material by or about Johns Hopkins and his ancestors, 1743-2005.

This collection consists of Hugh Hawkins including a two volume typescript of Hawkins' published work Pioneer : a history of the Johns Hopkins University, 1874-1899 and other material, including correspondence and photographs.

Isaiah Bowman, fifth president of The Johns Hopkins University and geographer, was born in Waterloo, Ontario, Canada, December 26, 1878. The Isaiah Bowman papers offer a fairly complete view of his many-faceted professional life, and Bowman's service as an advisor to the U.S. government and U.S. State Department, particularly in relation to World War I and II, are well-documented in the papers. The papers span from 1902 to 1950.

This is an artificially assembled collection of approximately 1018 real photo postcards portraying African-Americans, dating from approximately 1905 to approximately 1946. Each postcard is approximately 3½ by 5½ inches with a black-and-white photograph on one side and a postcard format on the reverse. The collection was left in original order and is organized by subjects or subject matter.

This collection includes donations from Johns Hopkins University alumni that document student life, frequently reflecting the donor's personal experience as a student at Johns Hopkins University. The collection includes photographs, letters, student notes, and other material. The collection spans the 19th and 20th centuries.

The Johns Hopkins University Billie Holiday collection is an artificially assembled collection with manuscript material chosen by the curators of Special Collections, dating from approximately 1939 to 1993. The collection features eleven items related to the life, career, and death of jazz singer Billie Holiday, 1915-1959. Holiday, or "Lady Day," was known for her disctinct vocal delivery and had a profound influence on jazz and blues music.

The Johns Hopkins University collection of African American history and culture is an artificially assembled collection of printed materials, diaries, photographs, and other items created from 1800 to 1988.

The Johns Hopkins University collection of Maryland African American history and culture is an artificially assembled collection which spans from the 18th to the 20th century. The collection consists of materials selected by the curators of Special Collections.

The material is diverse, including engravings, drawings, posters, and medals, ranging from the 18th to the 20th century. Much of the collection is oriented toward the avant-garde, so even the 18th-century material tends to be literature of the margins. It is especially strong in 19th and 20th century avant-garde material (Symbolisme, Cabaret literature, political and social satire, Surrealism).

The Johns Hopkins University graphic and pictorial collection consists of over 15,000 images in the form of photographs, lantern slides, and negatives of individuals, events, and places associated with the entire history of Johns Hopkins University from the 1790s to 2015, whith the bulk of the collection dating from the 1870s to the 1980s.

This is an artificially-assembled collection with manuscript items selected by curators in Special Collections. This collection contains diaries, postcards, letters, and other material related to history and life in Maryland, 1818-2015 (Bulk: 1818-1957).

The volatile period of civil unrest in France during May 1968 was punctuated by demonstrations and massive general strikes as well as the occupation of universities and factories across France. At the height of its fervor, it virtually brought the entire advanced capitalist economy of France to a dramatic halt. This artificially-created collection contains posters, protest leaflets, tracts, and photographs from these student protests in May 1968.

Johns Hopkins University produced four educational television series between 1948 and 1960: The Johns Hopkins Science Review, Tomorrow, Tomorrow's Careers, and Johns Hopkins File 7. This collection consists of videocassette (VHS) copies of kinescopes of those television programs produced dating from 1948 to 1960.

The Johns Hopkins University women's suffrage collection documents the history of the women's suffrage movement both in the United States and abroad from 1879 to approximately 1970, with the bulk of the material dating from 1900 to 1920. It is an artificially assembled collection of materials selected by the curators of Special Collections.

This artificially-assembled collection consists of materials relating to international World's Fairs and Expositions, including photographs; postcards; written travelogues or personal accounts of the fairs; ephemera, including programs and printed souvenirs; lithographs and engravings; and physical objects. The materials date from the 1830s to the 1960s.

A zine is most commonly a small circulation self-published work of original or appropriated texts and images usually reproduced via photocopier. This collection of zines was assembled by curators within Special Collections and were printed between 2007 to 2013.