Collection of Kaikhosru Shapurji Sorabji published writings and reproduced scores
Scope and Contents
The collection consists of materials originally created between 1916 and 1981 and includes four volumes of collected published writings of Sorabji, in addition to many photocopies of his manuscript and published scores for piano, chamber ensembles, orchestras, organ, and voice. Most of the photocopied scores are bound and labeled in each box, while others have been placed in folders.
- Creation: 1916 - 1981
Conditions Governing Access
The collection is open for use at the Peabody Archives. Contact firstname.lastname@example.org for more information.
Conditions Governing Use
Single copies may be made for research purposes. Researchers are responsible for determining any copyright questions. It is not necessary to seek our permission as the owner of the physical work to publish or otherwise use public domain materials that we have made available for use, unless Johns Hopkins University holds the copyright. All requests for permission to publish or perform materials in this collection must be submitted in writing to the archivist of the Arthur Friedheim Library.
Biographical / Historical
Kaikhosru Shapurji Sorabji (1892-1988) was an English composer and pianist. Sorabji was born in Chingford, Essex, England, in 1892. From an early age Sorabji was privately educated and had a growing obsession with contemporary European and Russian music.
First considering a career as a music critic, Sorabji experimented with composition, resulting in a wave of musical creativity. Primarily a self-taught musician, Sorabji performed in London and Paris and in 1919 played his First Piano Sonata to an impressed Busoni, who wrote a glowing review. Sorabji made a few more concert appearances, his last one being in 1936. From then on he lived as a recluse, rejecting all public performances but continuing to compose.
Sorabji worked as a critic for The New Age and The New English Weekly until 1945. In 1975 he allowed his four-hour multi-movement piece Opus Clavicembalisticum to be recorded.
The American pianist Michael Habermann has studied, performed, and recorded Sorabji's music. In 1984 he wrote his dissertation for a Doctor of Musical Arts degree from the Peabody Conservatory, titled "A style analysis of the Nocturnes for solo piano by Kaikhosru Shapurji Sorabji with special emphasis on Le jardin parfumé."
3.0 Cubic Feet (1 full-size letter box, 1 half-size letter box, 5 large flat boxes)
Language of Materials
Kaikhosru Shapurji Sorabji was an English pianist and composer. The collection contains published writings as well as photocopied scores of Sorabji's music for piano, chamber ensembles, orchestra, organ, and voice.
Other Finding Aids
An index to Volume 1 of Sorabji's collected letters to the editor is available offline. Contact the Peabody Archives for more information.
Immediate Source of Acquisition
Gift of Michael Habermann.
Processed by Brian Tracey in 2016.
- Guide to the collection of Kaikhosru Shapurji Sorabji published writings and reproduced scores
- Kerri Sheehan
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- Describing Archives: A Content Standard
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