Showing Collections: 26 - 50 of 159
Collection of Abram Moses scores
Abram Moses was a composer and violinist who attended and taught at the Peabody Institute. The collection includes 11 manuscript and Ozalid scores of chamber music and songs by Moses written between approximately 1900 and 1950.
Collection of Charles H. Bochau scores
Charles Henry Bochau (1870-1932) was a member of the Peabody Conservatory voice faculty from 1897 to 1932, director of the conservatory's glee club, and one of the founders of the Johns Hopkins Symphony Orchestra. The collection consists of manuscript and published scores of music composed by Bochau, including vocal music, symphonic music, and chamber music.
Collection of Ebbe Hamerik scores
Ebbe Hamerik was a conductor and composer who was the son of Asger Hamerik, director of the Peabody Conservatory from 1871 to 1898. This intentionally assembled collection contains facsimile scores of Ebbe Hamerik's music composed from approximately 1935 to 1950, including chamber music, songs, symphonies, and operas.
Collection of Kaikhosru Shapurji Sorabji published writings and reproduced scores
Kaikhosru Shapurji Sorabji was an English pianist and composer. The collection contains published writings as well as photocopied scores of Sorabji's music for piano, chamber ensembles, orchestra, organ, and voice.
Collection of Metropolitan Opera scrapbooks
The collection of Metropolitan Opera scrapbooks, 1906-1909, contains six volumes of clippings and programs about the Metropolitan Opera Company. The creator of the scrapbooks is unknown.
Community Concerts at Second records
Community Concerts at Second, formerly known as the Second Presbyterian Concert Series, is a nonprofit organization established in 1987 in Baltimore that invites classical musicians to perform free concerts. The collection contains administrative records, concert programs, photographs, clippings, and recordings related to the organization and its concerts.
Cora and Ellen Snyder papers
The Cora and Ellen Snyder papers contain class notes taken during their music studies at the Peabody Preparatory. A 1915-1916 yearbook is also included.
David Simon music manuscripts
David Simon was a musician, composer, conductor, educator, painter, and arts administrator who founded the Baltimore School for the Arts and served as its director from 1979 to 1995. This collection includes manuscripts and facsimile copies of David Simon's scores, dating from approximately 1945 to 2000.
Dawn Culbertson papers
Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.
Denes Agay papers
Box 1 contains published scores and instructional material written by Agay, primarily for piano. Box 2 contains promotional materials and programs from Agay's career, and articles written by Agay.
Dina Koston papers
Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
Donald Sutherland papers
Donald S. Sutherland is an organist and former coordinator of the Organ Department faculty at the Peabody Conservatory. The Donald Sutherland papers, approximately 1929-2015, contain documents and musical scores related to Sutherland's career as an organist and organ instructor.
Edwin Litchfield Turnbull scores
A Baltimore native and Johns Hopkins University graduate, Edwin Litchfield Turnbull composed, arranged, and conducted music for the Johns Hopkins Musical Association and other local ensembles. The Turnbull scores contain manuscript and published scores composed or arranged by Turnbull.
Elizabeth Ellen Starr correspondence
Elizabeth Ellen Starr (1859–1950) attended the Peabody Conservatory and organized support for classical music institutions in Baltimore, including a campaign in 1920 to keep Baltimore's Lyric Theatre from being demolished. Many of the letters in the Starr correspondence collection relate to her efforts to support local music institutions such as the Lyric Theatre and coordinate appearances by the Philadelphia Orchestra and other ensembles visiting Baltimore between 1918 and 1945.
Ellis Larkins papers
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Elsa Baklor scrapbooks
Elsa Baklor was a coloratura soprano and music educator who taught at the Peabody Conservatory and privately in the mid-twentieth century. Her collection of five scrapbooks contain clippings, photographs, and concert programs related to her career as a performer and teacher.
Emmanuel Wad papers
Emmanuel Wad (1862-1940) was a Danish pianist who taught at the Peabody Conservatory from 1892 to 1919. The Emmanuel Wad papers contain scores of Wad's operas and other works, an essay by Wad, and a family genealogy.
Enrico Caruso papers
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
Ernst Lert papers
Ernst J. Lert was a conductor and writer who served as operatic director for the Peabody Conservatory of Music in the 1940s. The collection contains two book-length manuscripts by Lert on the subject of opera and operatic history: "Opera on Trial" and "The Opera Complex."
Evelina Martini papers
Evelina Martini was a violinist in the Baltimore Symphony Orchestra for 27 years. The Evelina Martini papers, 1924-1991, contain photographs, correspondence, clippings, programs, music manuscripts, and other documents related to Martini's musical career and personal life. The papers also include documents related to the estate of Evelina Martini's husband, Ted Martini, and the sale of Ted's Music store after his death.
Fernanda Doria papers
The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.
Florence Brown scrapbooks and photographs
Frances Alice Kleeman papers
Francisco Soares de Souza guitar scores
Francisco Soares de Souza was a guitarist and composer from Brazil. The collection contains photocopied manuscript scores of Souza's compositions for guitar.