Showing Collections: 201 - 210 of 296
Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.
Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Owen Martin Phillips (1930-2010) was a Johns Hopkins University professor of Geophysics. This collection consists of the personal and professional papers of Professor Owen M. Phillips, which date from approximately the 1940s-1990s. This collection has not been processed.
This holding contains a letter written by P. Jouet to S. Reinach in May 1911. The correspondents possibly were French scholars, Philippe Jouet, a family researcher, and Salomon Reinach, an archaeologist.
This collection consists of twenty-six letters, and one postcard, exchanged between Paul Bowles and Mark Dery between the dates of May 6th, 1980 and August 19th, 1988. Paul Bowles (1910-1999) was an expatriate artist who lived in Tangier, Morocco; Mark Dery (1959) is an American writer, professor and cultural critic.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.