Showing Collections: 1 - 25 of 46
Adele Meade papers
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Arthur Friedheim papers
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
Austin Conradi papers
The Austin Conradi papers contain concert programs, school essays, newspaper clippings, correspondence, scores, and a photograph relating to the life and career of pianist Austin Conradi.
Charles Bleefield collection of Nadia Boulanger correspondence
The collection contains manuscript letters and brief notes from Nadia Boulanger to her former student Charles Bleefield, including a letter of recommendation in 1947 and several brief greetings in the two decades that followed. Also included are invitations to two memorial services for Lili Boulanger and an Igor Stravinsky autograph.
Chris Lobingier papers
Christopher Lobingier (1944-2014) was a composer based in Baltimore who wrote the original score to the 1977 John Waters film Desperate Living and participated in the Baltimore Composers Forum. This collection contains scores of original compositions by Chris Lobingier, including his score to Desperate Living, as well as materials related to the Baltimore Composers Forum, recordings, and other ephemera.
Conrad Gebelein papers
The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.
Dawn Culbertson papers
Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.
Dina Koston papers
Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
Donald Sutherland papers
Donald S. Sutherland is an organist and former coordinator of the Organ Department faculty at the Peabody Conservatory. The Donald Sutherland papers, approximately 1929-2015, contain documents and musical scores related to Sutherland's career as an organist and organ instructor.
Emmanuel Wad papers
Emmanuel Wad (1862-1940) was a Danish pianist who taught at the Peabody Conservatory from 1892 to 1919. The Emmanuel Wad papers contain scores of Wad's operas and other works, an essay by Wad, and a family genealogy.
Enrico Caruso papers
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
Frances Alice Kleeman papers
Franz C. Bornschein papers
Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.
George Boas papers
George Boas (1891 – 1980) was a Professor of Philosophy at Johns Hopkins University. The collection spans the years from 1920 to 1980, and consists of articles, correspondence, notebooks, reprints, short stories, and speeches.
Glenroy C. Stein papers
The Glenroy C. Stein papers contain scores and method books written by Stein and various other composers. Also included are personal papers which include newspaper clippings, correspondence, posters, and concert programs.
Harry S. Dickey collection of Byroniana
Howard R. Thatcher papers
Howard Thatcher was a pianist, organist, composer, and teacher in the Baltimore area. He was an alumnus of Peabody who taught harmony, counterpoint, orchestration, and composition for the Peabody Conservatory. The Howard R. Thatcher papers contain his manuscript and published scores as well as personal papers.
Hugh R. Newsom papers
Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Jacques Barzun papers
Jean Eichelberger Ivey papers
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
John Charles Thomas papers
John Charles Thomas (1891-1960) was a baritone who had a lengthy career as an opera singer and recording artist. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.
Johns Hopkins University Billie Holiday collection
The Johns Hopkins University Billie Holiday collection is an artificially assembled collection with manuscript material chosen by the curators of Special Collections, dating from approximately 1939 to 1993. The collection features eleven items related to the life, career, and death of jazz singer Billie Holiday, 1915-1959. Holiday, or "Lady Day," was known for her disctinct vocal delivery and had a profound influence on jazz and blues music.
Joseph Schillinger papers
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.