Poster diagram of the VT Fuze developed by the Johns Hopkins University Applied Physics Laboratory, signed by the researchers who worked on the project. Signatures include Merle Tuve and Vannemar Bush. Signatures are not original to this item; it appears to be a copy of the original, printed on cardboard.

Four lobby cards for the Black musical feature "Beware!" which starred Louis Jordan and his Tympany Five, Valerie Black, Frank Wilson, Milton Woods, and Emory Richarsdon, and directed by Bud Pollard with screen story by John E. Gordon.

Collection of Chinese propaganda posters depicting Mao Zedong and scenes from Chinese life, 1956-1986.

The collection consists of several pages of a Chinese newspaper published February 3, 1940 in Canton, China (Guangzhou). At the time of publication, Canton was controlled by the Japanese army.

Clinton Arrowood was a flautist and illustrator best known for his unique drawings of animals as musicians. The collection contains Arrowood's illustrations for musical events at the Peabody Institute and elsewhere, as well as drawings for children's books and other media. It includes original drawings, reproductions, clippings, and other documents related to Arrowood's career.

The collection includes a number of Russian propaganda posters ranging from the early days of World War I to the Russian civil war and the Revolution.

The Diverse Sexuality and Gender Alliance records primarily consist of meeting minutes, executive board manuals, correspondence, broadsides, and other materials created by DSAGA between 1986 and approximately 2017.

Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

This collection contains correspondence, screenplays, typescripts, film posters and stills, and other materials which document William Faulkner's career, collected by Richard Frary. The collection dates from 1920 to 2000; the bulk of the material dates from 1930 to 1970.

The Glenroy C. Stein papers contain scores and method books written by Stein and various other composers. Also included are personal papers which include newspaper clippings, correspondence, posters, and concert programs.

This collection contains promotional materials and a signed poster printed by The Jargon Society, an independent press based in North Carolina. The items were printed from 1951 to 1986.

Poster advertising the daily events of the third annual Festival de la Libre Expression, organized by Jean-Jacques Lebel.

The Johns Hopkins University collection of African American political activism in the United States consists of broadsides, photographs, and newspaper clippings that were primarily created around the time of the Civil Rights and Black Power movements between the 1950s and 1970s.

Jean-Franois-Maurice-Arnauld, Baron Dudevant, better known as Maurice Sand (1823-1889 in Nohant-Vic), was a French illustrator, writer, and playwright. This is an artificially assembled collection with manuscript material chosen by the curators of Special Collections, related to or created by Maurice Sand.

The volatile period of civil unrest in France during May 1968 was punctuated by demonstrations and massive general strikes as well as the occupation of universities and factories across France. At the height of its fervor, it virtually brought the entire advanced capitalist economy of France to a dramatic halt. This artificially-created collection contains posters, protest leaflets, tracts, and photographs from these student protests in May 1968.

The Johns Hopkins University Vietnam War ephemera collection, 1960 to 1970, is an artificially assembled collection with manuscript material chosen by the curators of Special Collections. The collection contains posters, leaflets, handbills, and curricula materials created during the Vietnam War. Please see the series descriptions for biographical or historical information regarding specific items.

Russian poster with Russian phrase that can be translated as, "Everyone come out for the Communist subbotnik!", 1974. Subbotniks were days of volunteer work following the October Revolution that took place on Saturday. The tradition is continued in modern Russia and some other former Soviet Republics. Subbotniks are mostly organized for cleaning the streets of garbage, fixing public amenities, collecting recyclable material, and other community services.