Blanche D. Coll (1916-2003) was an author and historian whose main area of research was the history of social welfare in the United States. Collection ranges in dates spanning 1908, the 1930s, and 1969 and consists of 26 photographs; two published volumes of Mary E. Richmond, a founder of modern social work; Coll's thesis; an oral history transcript; and four audio tapes.

Community Concerts at Second, formerly known as the Second Presbyterian Concert Series, is a nonprofit organization established in 1987 in Baltimore that invites classical musicians to perform free concerts. The collection contains administrative records, concert programs, photographs, clippings, and recordings related to the organization and its concerts.

Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.

Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.

Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

The Hopkins Symphony Orchestra (HSO) was established in its present form in 1981 by Peabody Conservatory graduate student Catherine Overhauser. This collection consists of promotional flyers and posters, concert programs, and audio recordings of performances by the Hopkins Symphony Orchestra spanning 1986 to 2014. It also includes archived websites from 2015-Ongoing.

In the 1970s, retired opera singer Rosa Ponselle (1897-1981) collaborated with biographer James A. Drake on writing her memoirs. Drake made audio recordings of interviews with Ponselle and her associates at Ponselle's home in Baltimore, known as Villa Pace. This collection contains interview recordings and other audio recordings about Ponselle created or collected by Drake.

Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.

This is an artificially assembled collection of oral histories recorded with administration, faculty, staff, alumni, students, and other Johns Hopkins University affiliates, 1999-2004 and 2014-present. The early oral history interviews were faciliated by Mame Warren starting 1999, and as of 2014 by Hopkins Retrospective.

This collection consists of oral history interviews and printed materials collected primarily in the 1990s by Michal Makarovich, who researched the evolution of gay bars in Baltimore, Maryland.

Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.

The Baltimore-area musical group Cross Country performed folk music in the 1980s and early 1990s. The collection contains the trio's administrative documents, photographs, and recordings.

Richard Benda was a pianist and teacher of the Joseph Schillinger system of musical composition. The Richard Benda papers contain manuscript notebooks and transcriptions of his teaching material concerned with the Schillinger system. Also included are pedagogical materials in the form of notes, recordings, and an unpublished supplement to the Schillinger system.

This collection consists of records of the Reischauer Center at the School of Advanced International Studies at Johns Hopkins University and are primarily audio and visual material. The dates of these materials have not been established, but do date from 1998 and before.

This collection consists of subject files, press clippings, reports, and audio tapes on the same topics, from the 1940s to the 1990s (bulk: 1980s -1990s).

Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.

This collection primarily documents the career of author Stephen Dixon and spans from approximately 1950 to 2019. Dixon was born in 1936 in New York City. He taught fiction writing in the Writing Seminars at The Johns Hopkins University and is the author of several novels and short stories.

The Johns Hopkins Center for Italian Studies at Villa Spelman was established in the early 1970s in accordance with the bequest of Leolyn and Timothy Mather Spelman. The property was sold by the university in September 2008. This collection consists of records of the Villa Spelman from 1961 to 2009; the bulk of the material dates from 1980 to 2000.

Vincent DeMarco was an American advocate for handgun control and assault weapons bans, tobacco taxes, and universal health care born on May 23, 1957 in Trevico, Italy. The collection includes business correspondence, research, polls, newspaper articles, pictures, advertising tools, and video and cassette tapes from 1980-1998.

Walter Spencer Huffman was a composer and music teacher who studied and served on the faculty of the Peabody Conservatory of Music in the 1940s and 1950s. From 1955 until his death in 2005, Huffman taught music privately in Maryland and continued to compose. The collection consists of holograph scores of approximately 150 works, including chamber music, symphonies, and choral music.