Found in 6 Collections and/or Records:
Ludwig Pietsch (1824–1911), a German critic, and Theodor Fontane (1819–1898), a German writer, maintained a long friendship. The Fontane-Pietsch collection consist of photographs, newspaper clippings and letters from 1845-approximately 1898. There is also an article describing the Fontane-Pietsch correspondence dated 1977. The collection is in German, though some English translations have been made.
Frary collection of Ezra Pound
Ezra Pound (1885-1972) was an expatriate American poet, literary critic, a highly influential figure in the development of Imagism, as well as a major contributor to the early modernist poetry movement at the turn of the century. This collection represents the manuscript portion of a larger holding of materials created by or relating to poet Ezra Pound, compiled by collector Richard Frary. The holdings range in time from 1909 to 1986, with most of the materials dating from 1909 to 1960.
Johns Hopkins University oral history collection
This is an artificially assembled collection of oral histories recorded with administration, faculty, staff, alumni, students, and other Johns Hopkins University affiliates, 1999-2004 and 2014-present. The early oral history interviews were faciliated by Mame Warren starting 1999, and as of 2014 by Hopkins Retrospective.
Peabody Conservatory, Office of the Registrar records
The Office of the Registrar maintains student records for the Peabody Conservatory of Music. This series contains confidential records directly related to students of the Conservatory of Music from approximately 1900 to 2014.
Sounds and Stories collection
Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.