Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Scope and Contents

The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.

Abstract

The George R. Woodhead papers contain personal papers and concert programs acquired over his career as a choral conductor and professor of music at Goucher College and other musical institutions in the Baltimore area. The documents include correspondence, newspaper clippings, photographs, teaching material, and financial documents. The majority of the concert programs come from performances by local churches, Johns Hopkins University, Goucher College, and the Bach Society of Baltimore.

Abstract

Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.

Abstract

The Humanities Center at Johns Hopkins was formed in the 20th century to formally to bring together the various humanities departments on campus. This collection consists student films created for the courses in the Humanities Center in the mid-to-late 1960s.

Abstract

Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Abstract

The Peabody Institute has regularly recorded concerts, recitals, and other events on campus since the 1960s. These recordings form the core of the Peabody Institute's sound and video recordings collection.

Abstract This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Abstract

The Baltimore-area musical group Cross Country performed folk music in the 1980s and early 1990s. The collection contains the trio's administrative documents, photographs, and recordings.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Abstract

Reginald Stewart was a Scottish-born conductor and pianist who served as director of the Peabody Conservatory from 1941 to 1957 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.

Scope and Contents

This collection consists of reel-to-reel tapes of archival broadcast footage, copies of audio packages created by Richard Lidz as part of his business of producing cassette tapes relating to various aspects of United States history.

Abstract The Robert Willoughby papers, 1938-2018, contain materials from Willoughby's career as a flute player and professor at Oberlin Conservatory, the Peabody Conservatory, and the Longy School of Music. Subject files include folders related to Willoughby's education, his teaching, his performance activities, and the awards he received. Three photo albums from 1987 to 2011 also contain letters and greetings from colleagues and former students. The collection also contains programs of Willoughby's...

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Scope and Contents An audio recording by Steven Gold of a John Barth reading in the late 1960s at the University of Michigan Lydia Mendelssohn Theatre. The tape is undated, but the reading took place around the time of the publication of Lost in the Funhouse (1968), which comprised a good portion of the talk. The audio was originally recorded on 7 inch reel to reel tape. The original box is housed alongside the tape. The recording is a restored version of the reading. Popular...

Abstract

The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.

Abstract

Walter Spencer Huffman was a composer and music teacher who studied and served on the faculty of the Peabody Conservatory of Music in the 1940s and 1950s. From 1955 until his death in 2005, Huffman taught music privately in Maryland and continued to compose. The collection consists of holograph scores of approximately 150 works, including chamber music, symphonies, and choral music.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.

Abstract

William A. Chrystal was a pianist, composer, arranger, and conductor based in the Pittsburgh area for most of his career. He attended the Peabody Conservatory in the 1950s and earned degrees in piano performance. The William A. Chrystal papers contain music manuscripts, programs, clippings, professional documents, and sound recordings.

Scope and Contents From the Sub-Series:

This subseries contains audiovisual media in a variety of formats on a variety of topics from across Mikulski's career. The bulk of materials are recordings of speeches, interviews, and campaign ads.