Promotional fliers from Baltimore area theaters created from approximately 1954 to 1963. There is currently no information available on the creator.

A collection of material produced by the Chile solidarity movement in the U.S. following the 1973 CIA-backed military coup that replaced Salvador Allende’s Unidad Popular government with a military dictatorship led by General Augusto Pinochet. The majority of items come from the Washington, DC chapter of Non-Intervention in Chile (NICH) and the National Coordinating Center in Solidarity with Chile. Materials contain flyers, newsletters, pamphlets, and press clippings.

The École nationale supérieure des Beaux-Arts (National School of Fine Arts) in Paris succeeded the royal arts academies of pre-revolutionary France. The collection contains eight black-and-white photographs of the school in 1972 and ephemera concerning the creation of two new ateliers and a printing works at UP6 by the architect Jean-Paul Jungmann in 1972-74.

Elisabeth Gilman was born in New Haven, Connecticut, December 25, 1867. She was the younger daughter of Daniel Coit and Mary (Ketcham) Gilman. Her father was a college professor and the first president of The Johns Hopkins University. The papers consist of correspondence, speeches, writings, diaries, newspaper clippings, printed material, memorabilia, and photographs.

This collection contains sheet music for "You Oughta See My Baby" and "Why Did I Kiss That Girl," both editions featuring Ella Shields on the cover, as well as a playbill for a 1949 showing of the nostalgia music hall show "Thanks for the Memory," and five photographs of Ella Shields from various points in her career.

A collection of 82 printed flyers and handouts from the 1980s to 1990s advertising California funk, reggae, hip hop, and soul concerts and venues.

This collection contains correspondence, photographs, and ephemera associated with author Gertrude Stein.

Handbill advertizing the services of a Monsieur Audiger, a French bookseller active in the early 19th century.

The Johns Hopkins University collection of African American history and culture is an artificially assembled collection of printed materials, diaries, photographs, and other items created from 1800 to 1988.

The Johns Hopkins University collection of African American political activism in the United States consists of broadsides, photographs, and newspaper clippings that were primarily created around the time of the Civil Rights and Black Power movements between the 1950s and 1970s.

The Johns Hopkins University collection of white supremacist and anti-integartion materials is an artificial collection which spans from the 18th to the 21st century. The collection consists of broadsides, postcards, and other printed ephemera created by proponents of white supremacy, anti-integration, and racist ideologies.

Josephine Baker (1906-1975) was an American-born French dancer, singer, and actress who came to be known in various circles as the "Black Pearl," "Bronze Venus" and even the "Creole Goddess". Baker was the first Black woman to star in a major motion picture, Zouzou (1934) and to become a world-famous entertainer. The materials span from 1926 to circa 1970 and contain photographs, promotional flyers, and ephemeral books.

This is an artificially-assembled collection with manuscript items selected by curators in Special Collections. This collection contains diaries, postcards, letters, and other material related to history and life in Maryland, 1818-2015 (Bulk: 1818-1957).

The volatile period of civil unrest in France during May 1968 was punctuated by demonstrations and massive general strikes as well as the occupation of universities and factories across France. At the height of its fervor, it virtually brought the entire advanced capitalist economy of France to a dramatic halt. This artificially-created collection contains posters, protest leaflets, tracts, and photographs from these student protests in May 1968.

This is an artificial collection of printed ephemera purchased since 2004.

The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.